Interconnectedness of art and architecture in Eastern Eurasia from the 10th-14th centuries (China, Korea, Japan, Central Asia, Himalayas, Mongolia, and Southeast Asia); Mongol Empire; Buddhist art and architecture; nomadic art and architecture; art and history along the Silk Roads; cross-cultural contact in visual and material culture; textile history; material culture theory.
Professor, Graduate Advisor
19th-century Art History; German and European Literature 1750-1900 in Interdisciplinary Perspectives (Visual Arts, Film, Music, Sciences); Cultural Studies; Critical Theory.
Art and material culture of the ancient and colonial Americas, with a focus on architecture and mural painting in contexts of religious conversion in Mexico. Indigenous studies; Nahuatl language and culture; art and ecology; mendicant art and architecture.
Italian Renaissance Art and Architecture; Object and Material Culture; Portraiture and the Human Face; Theories and Concepts of Representation; Early Modern Medicine and History of Knowledge; Medical Humanities
Modern and contemporary art history; experimental film, video and performance; psychoanalysis and critical theory, media theories and media technologies.
History and theory of photography; European avant-garde art of the 20th century, particularly its engagements with chance and psychoanalysis; critical theory.
|Aleca Le Blanc
Modern Latin American art and architecture with a focus on Brazil; global modernisms, architecture and urbanism, visual culture, abstraction, institutional histories, and collecting and display.
Professor, Undergraduate Advisor
Early modern painting, sculpture, and (especially) architecture. Cultural contacts and cultural transfer. Northern Europe, ca 1500-1800.
Islamic Art and Architecture, Indo-Islamic Architecture, Devotional Practices and Material Culture, Transregional and Transcultural Histories, Historiography of Islamic Architecture in South Asia.
Medieval Art History with special interests in such topics as the social theory of medieval art, the ideological use of art, monasticism and art, the origin of Gothic art, and the art and social change.
Associate Professor, Chair
American art and visual/material culture from the colonial era to the present, with research emphasis on the later nineteenth to mid-twentieth centuries; history of photography; art and social movements; modern design; vision and technology; critical and interdisciplinary theory.
Ginger Cheng-Chi Hsu, Associate Professor Emerita
Thomas Pelzel, Associate Professor Emeritus