Violence and Daily Life: Reading, Art, and Polemics in the Citeaux
1997, Princeton University Press
For an abstract, go to the following link and search the page:
https://ucriverside.academia.edu/ConradRudolph
Yearly Archives: 2015
The “Disempowered” Subject: On the History and Function of Comedy in Heinrich von Kleist’s Works
1996, Königshausen & Neumann: WÜRZBURG
Kleist scholars tend to imagine the author as the paradigmatic exponent of a tragic mind. The shadows of his tragedies in life and literature seem too heavy and gloomy to leave room for comic tendencies. Although Kleist’s two comedies have always been acknowledged as true highlights in the history of the genre, his comic “strategies” – as well as their precedents from Lessing to Freud – have mostly been ignored. However, with such strategies in mind, the author’s situation appears as one in which the demands of an idealist worldview provoke a retreat to the limited and reduced formats of comedy. Kleist’s massive ›struggle with Schiller‹ – his predominant role model and antipode – is here reexamined in the light of a general struggle to avoid tragic inevitabilities.
Imagining Modern German Culture, 1889-1910 (Studies in the History of Art)
1996, National Gallery of Art
This is an interdisciplinary exploration of the emergence of modernism in Germany and its relationship to the building of a nation.
Roubiliac and the Eighteenth-Century Monument. Sculpture as Theatre
1995, New Haven and London: Yale University Press
(Winner of the 1996 Mitchell Prize for the History of Art)
(Awarded the 1996 prize of the American Historians of British Art)
(Winner of a Choice 1996 Outstanding Academic Book Award)
The Thyssen-Bornemisza Collection. Renaissance and later sculpture, London, 1992 (Co-author with Anthony Radcliffe and Michael Maek-Gerard)
Louis François Roubiliac, the most compelling sculptor in eighteenth-century Britain, was responsible for many complex and dramatic monuments that can be seen in Westminster Abbey and churches throughout the country. This book is not only the first extended treatment of the artist since 1928 but is also an exploration of tomb sculpture in the context of the period.
The New Fuck You: Adventures in Lesbian Reading
1995, Semiotext(e)
Borrowing its name from the notorious ’60s Ed Sanders magazine, Fuck You: A Magazine of the Arts, the editors have figured a way to rehone its countercultural and frictional stance with style and aplomb. A unique and provocative anthology of lesbian writing, guaranteed to soothe the soulful and savage the soulless. Includes Adele Bertei, Holly Hughes, Sapphire, Laurie Weeks, and many more.
