ABOUT THE SYMPOSIUM
In the past decade, the increased attention to the art object and its materiality has enhanced the study of art history, opening new avenues of investigation. Combined with more historical methodologies, the focus on materiality offers profound insights into the artworks’ meanings. Artists across space and time have infused materials with not only ritual and symbolic significance but also social, political, and economic functions. Art historians, increasingly in collaboration with conservators and scientists, are gaining insight into both the process of art-making, from raw material to finished object (the chaîne opératoire), and the strategic deployment of materials for their aesthetic qualities and their power to signify.
This two-day symposium will investigate the materiality of artworks and raise questions about procurement, trade, value, manufacturing, and the accumulation of new meanings as objects move between cultures.

UCR Faculty members, Jeanette Kohl and Malcolm Baker will present on Monday, April 18:

Monday, April 18 at 11:25 am:
Making, Replication, and the Eighteenth-Century Portrait Bust: Digitizing and Interpreting Roubiliac’s Busts of Alexander Pope
Malcolm Baker, University of California, Riverside, and Chelsea Alene Graham, Yale University

Monday, April 18 at 1:45pm:
Tracing Presence: The Portrait Bust between Materiality and “Phenomenology”
Jeanette Kohl, University of California, Riverside

Click here to view the full two-day program

RECEPTIONS
A reception will be held at the close of each day:
April 18th, 5:45 p.m., Lounge Patio, Luxe Sunset Boulevard Hotel
April 19th, 6:00 p.m., Private Dining Room, Getty Center