Paris As Gameboard: Man Ray’s Atgets
2002, Ex. cat. New York: The Wallach Gallery
Soon after moving to France, Man Ray began collecting the works of his forebear Eugene Atget, whose pictures surveyed Paris in the late 19th and early 20th century. Here, for the first time, these images of the urban landscape are considered through a Surrealist frame collectively, as a peripatetic surrealist text comparable to André Breton’s Nadja and Louis Aragon’s Paris Peasant.