Art and Materiality at The Getty Center

In the past decade, the increased attention to the art object and its materiality has enhanced the study of art history, opening new avenues of investigation. Combined with more historical methodologies, the focus on materiality offers profound insights into the artworks’ meanings. Artists across space and time have infused materials with not only ritual and symbolic significance but also social, political, and economic functions. Art historians, increasingly in collaboration with conservators and scientists, are gaining insight into both the process of art-making, from raw material to finished object (the chaîne opératoire), and the strategic deployment of materials for their aesthetic qualities and their power to signify. This two-day symposium will investigate the materiality of artworks and raise questions about procurement, trade, value, manufacturing, and the accumulation of new meanings as objects move between cultures.

5th Annual UCR History of Art Graduate Student Conference

Culver Center of the Arts

New theories in art history, cultural studies, and philosophy have recently called attention to the power of matter in shaping our perception of the world. However, attention to materiality is nothing new.

Between Paris and the ‘Third World’: Lea Lublin’s Long 1960s

INTS 1111 CHASS Interdisciplinary North

Lea Lublin resided for the most part in Paris from 1964 on, and by 1965 she started orienting her work toward establishing a methodology for reading images, based on different parameters of perception and participation related to the devices involved in their exhibition. Until 1972 she articulated a considerable portion of her projects between Paris, Buenos Aires and Santiago de Chile. These networks of production and circulation were decisive in constructing the meaning of her works in terms of exploring the status of representation and culture. We propose a study that would restore the geopolitical density and translocal nature of her production of the long sixties.

Fall Reception — Unruly Bodies

Culver Center of the Arts

On Thursday, October 6, 6pm-8pm, UCR ARTSblock hosts its Fall Reception. This event is organized in conjunction with the City of Riverside’s First Thursdays ArtsWalk. Come check out the current exhibitions, including Unruly Bodies: Dismantling Larry Clark’s Tulsa; Laurie Brown: Earth Edges; Rotation 2015: Recent Acquisitions; and Steve Rowell: Parallelograms at the California Museum of Photography, as well as Instilled Life: The Art of the Domestic Object at the Sweeney Art Gallery, and For the Record… Contemporary Videos from the Permanent Collection of the Sweeney Art Gallery in the Culver Center atrium.