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DTSTART;TZID=America/Los_Angeles:20150505T080000
DTEND;TZID=America/Los_Angeles:20150505T170000
DTSTAMP:20260430T124219
CREATED:20150407T182819Z
LAST-MODIFIED:20150407T184040Z
UID:1376-1430812800-1430845200@arthistory.ucr.edu
SUMMARY:Linda Colley: A Changing Magna Carta: Past\, Present and Futures?
DESCRIPTION:2015 will witness celebrations of the 800th anniversary of Magna Carta. Yet how this iconic text has been understood\, used and commemorated has changed markedly over the centuries\, not just in England\, but throughout the British Isles and in the one-time British Empire. This lecture explores some of these shifts over time\, and discusses how – and how far – the cult that evolved around this text can be related to the UK’s lack of a written constitution.
URL:https://arthistory.ucr.edu/event/linda-colley-a-changing-magna-carta-past-present-and-futures/
LOCATION:Arts 335
CATEGORIES:Guest Lecturer
ATTACH;FMTTYPE=image/jpeg:https://arthistory.ucr.edu/wp-content/uploads/2015/04/Magna-Carta.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150502T080000
DTEND;TZID=America/Los_Angeles:20150808T170000
DTSTAMP:20260430T124219
CREATED:20150507T191215Z
LAST-MODIFIED:20150507T191740Z
UID:1744-1430553600-1439053200@arthistory.ucr.edu
SUMMARY:CMP Projects: Phil Chang
DESCRIPTION:Saturday\, May 16\nArtist talk-5pm\nReception-6-9pm \nCMP Projects presents a solo installation by artist Phil Chang. The project is suspended on the border of photography and non-photography\, demanding that the viewer consider the medium’s inherent qualities. The exhibition features a selection of photographs from Chang’s recently conceived untitled series of monochromes (2014-ongoing). These photographic prints are made without the use of a camera or film\, thereby pushing our understanding of the medium as it abandons the analog for a decidedly digital age. Additionally\, one unfixed photographic work is included in the exhibition. An evolution of his highly acclaimed body of work “Cache\, Active” (2012)\, Monochrome\, Exposed (2015) is a new unfixed photograph that will be exposed over the course of its own exhibition’s first hours during the artist talk on Saturday\, May 16. At 5pm\, the artist will remove the light-safe black plastic that preserves the unfixed paper in darkness. Over the next hours\, Monochrome\, Exposed will be created in real time. \nPhil Chang was born in 1974 in Indiana. He currently lives and works in Los Angeles where he is visiting faculty in the Department of Art at the University of California\, Los Angeles\, and a lecturer at Otis College of Art and Design. He earned his MFA at California Institute of the Arts\, and his BA at the University of California\, Irvine. CMP Projects: Phil Chang is the first solo museum presentation of his work. \nCMP Projects is an ongoing series of solo presentations curated by Joanna Szupinska-Myers\, CMP Curator of Exhibitions. The series is partially supported with funds provided by UCR’s College of Humanities\, Arts\, and Social Sciences (CHASS) and the City of Riverside. Additional support for CMP Projects: Phil Chang has been provided by M+B\, Los Angeles.
URL:https://arthistory.ucr.edu/event/cmp-projects-phil-chang/
LOCATION:California Museum of Photography
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://arthistory.ucr.edu/wp-content/uploads/2015/05/Monochromes-Static-and-Unfixed.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150501T100000
DTEND;TZID=America/Los_Angeles:20150501T170000
DTSTAMP:20260430T124219
CREATED:20150407T202459Z
LAST-MODIFIED:20150430T001035Z
UID:1384-1430474400-1430499600@arthistory.ucr.edu
SUMMARY:Inaugural Symposium: Allies\, Enemies\, and Citizens: Figuring Asianness in World War II America
DESCRIPTION:“Allies\, Enemies\, and Citizens” will focus on the visual representation of Asianness and Asian-Americanness in the United States during World War II\, featuring presentations by leading scholars in the field\, including Gordon H. Chang\, Professor\, Department of History\, and Olive H. Palmer Professor in Humanities\, Stanford University; Amy Lyford\, Professor of Art History\, Occidental College; ShiPu Wang\, Associate Professor of Art History and Visual Culture\, UC Merced; and K. Scott Wong\, James Phinney Baxter III Professor of History and Public Affairs\, Williams College. Read more \nSee the poster
URL:https://arthistory.ucr.edu/event/inaugural-symposium-allies-enemies-and-citizens-figuring-asianness-in-world-war-ii-america/
LOCATION:California Museum of Photography
CATEGORIES:Symposium
ATTACH;FMTTYPE=image/jpeg:https://arthistory.ucr.edu/wp-content/uploads/2015/04/THE-WONG-FORUM.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150407T171000
DTEND;TZID=America/Los_Angeles:20150407T171000
DTSTAMP:20260430T124219
CREATED:20150320T235516Z
LAST-MODIFIED:20150320T235627Z
UID:1369-1428426600-1428426600@arthistory.ucr.edu
SUMMARY:The Brink and Carrott Fellowship presentations
DESCRIPTION:
URL:https://arthistory.ucr.edu/event/the-brink-and-carrott-fellowship-presentations/
LOCATION:ARTS 333
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150303T161000
DTEND;TZID=America/Los_Angeles:20150303T170000
DTSTAMP:20260430T124219
CREATED:20150304T192951Z
LAST-MODIFIED:20150304T192951Z
UID:1279-1425399000-1425402000@arthistory.ucr.edu
SUMMARY:Visiting Artist\, Lecture Series: William Leavitt
DESCRIPTION:
URL:https://arthistory.ucr.edu/event/visiting-artist-lecture-series-william-leavitt/
LOCATION:Arts 335
CATEGORIES:Visiting Artist
ATTACH;FMTTYPE=image/jpeg:https://arthistory.ucr.edu/wp-content/uploads/2015/03/leavitt_flyer_visitingartist.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150302T170000
DTEND;TZID=America/Los_Angeles:20150305T190000
DTSTAMP:20260430T124219
CREATED:20150228T010727Z
LAST-MODIFIED:20150228T011332Z
UID:1144-1425315600-1425582000@arthistory.ucr.edu
SUMMARY:TRANCE-Rebecca Rupel\, Tracy Tran and Colleen Wei
DESCRIPTION:
URL:https://arthistory.ucr.edu/event/trance/
LOCATION:Phyllis Gill Gallery
ATTACH;FMTTYPE=image/jpeg:https://arthistory.ucr.edu/wp-content/uploads/2015/02/LadiesIllustration.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150228T180000
DTEND;TZID=America/Los_Angeles:20150228T210000
DTSTAMP:20260430T124219
CREATED:20150225T165339Z
LAST-MODIFIED:20150225T172747Z
UID:920-1425146400-1425157200@arthistory.ucr.edu
SUMMARY:The Provoke Era: Japanese Photography from the Collection of SFMOMA
DESCRIPTION:Named for the magazine Provoke\, which sought to break the rules of traditional photography\, this exhibition presents the avant-garde tradition that emerged in Tokyo in the 1960s and continued in the 70s and 80s. The exhibition traces Japanese photographers’ responses to their country’s shifting social and political atmosphere. The influence of Provoke photography in Japan continues today. The Provoke Era features work by internationally recognized artists including Masahisa Fukase\, Eikoh Hosoe\, Daido Moriyama\, and Shomei Tomatsu. \nThe Provoke Era is organized by SFMOMA\, and is curated by Sandra S. Phillips\, SFMOMA senior curator of photography. The exhibition is made possible by The James Irvine Foundation\, Bank of America\, and The Japan Foundation.
URL:https://arthistory.ucr.edu/event/the-provoke-era/
LOCATION:California Museum of Photography
ATTACH;FMTTYPE=image/jpeg:https://arthistory.ucr.edu/wp-content/uploads/2015/02/provoke_era.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150224T161000
DTEND;TZID=America/Los_Angeles:20150224T161000
DTSTAMP:20260430T124219
CREATED:20150223T231004Z
LAST-MODIFIED:20150223T231010Z
UID:852-1424794200-1424794200@arthistory.ucr.edu
SUMMARY:Wong Ju-Visiting Artist Lecture Series
DESCRIPTION:
URL:https://arthistory.ucr.edu/event/wong-ju-visiting-artist-lecture-series/
LOCATION:Arts 335
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