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X-WR-CALDESC:Events for Department of the History of Art
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DTSTART;TZID=America/Los_Angeles:20150727T180000
DTEND;TZID=America/Los_Angeles:20151017T180000
DTSTAMP:20260430T112337
CREATED:20150724T190021Z
LAST-MODIFIED:20150724T191016Z
UID:1986-1438020000-1445104800@arthistory.ucr.edu
SUMMARY:Melanie Nakaue: Eclipses
DESCRIPTION:Melanie Nakaue’s Eclipses is a multi-channel video installation comprised of a series of experimental animations. Through an amalgamation of collages\,digital graphics\, and stop motion animation\, Nakaue depicts a disjunction between psychological and physical entities associated with “eclipses.” For this presentation at the Culver Center of the Arts\, the idea of an “eclipse” is manifested through explorations of physical dimensions associated with layering and shadows. Nakaue unites these elements to illustrate the liminal space of passing between two states of being\, consciousness and the unconscious.
URL:https://arthistory.ucr.edu/event/melanie-nakaue-eclipses/
LOCATION:Culver Center of the Arts
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://arthistory.ucr.edu/wp-content/uploads/2015/07/893_feature.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150618T120000
DTEND;TZID=America/Los_Angeles:20150619T170000
DTSTAMP:20260430T112337
CREATED:20150505T172919Z
LAST-MODIFIED:20150513T193214Z
UID:1739-1434628800-1434733200@arthistory.ucr.edu
SUMMARY:CaVraCon 2015
DESCRIPTION:The Northern and Southern California chapters of the Visual Resources Association invite you to join us for this educational\, engaging and energizing event! \nThe California Visual Resources Association Conference\, also known as CaVraCon\, will provide presentations\, case studies\, and demos dealing with the many aspects of creating\, managing and maintaining digital image collections\, as well as the opportunity to network with both emerging professionals and veterans of the field. \n  \n\n\nCost\n\n  Early bird \n    Non-VRA member: $40\n    VRA member: $30\n\n\n    Student: $10\n \n  After May 31\n    Non-VRA member: $50\n    VRA member: $40\n    Student: $20\n\nRegister here
URL:https://arthistory.ucr.edu/event/cavracon-2015/
ATTACH;FMTTYPE=image/jpeg:https://arthistory.ucr.edu/wp-content/uploads/2015/05/Aerial-SantaBarbara.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150603T170000
DTEND;TZID=America/Los_Angeles:20150603T170000
DTSTAMP:20260430T112337
CREATED:20150518T223709Z
LAST-MODIFIED:20150518T224425Z
UID:1780-1433350800-1433350800@arthistory.ucr.edu
SUMMARY:Leslie Paprocki\, Museum Careers In The 21st Century: Insight From The Inside
DESCRIPTION:Born and raised in Buffalo\, New York and transplanted to Southern California at age 8\, she has been captivated by the power of museums from a young age. Trips to art museums\, historical houses and centers\, parks\, and other cultural attractions pepper the landscape of her childhood memories and in turn dictated her educational path. In pursuit of her passion  for the history of art\, she completed a Bachelor’s degree\, Magna Cum Laude\, in Art History and Administrative Studies and a Master’s degree in the History of Art\, both from the University of California\, Riverside.
URL:https://arthistory.ucr.edu/event/leslie-paprockimuseum-careers-in-the-21st-century-insight-from-the-inside/
LOCATION:ARTS 333
CATEGORIES:Guest Lecturer
ATTACH;FMTTYPE=image/jpeg:https://arthistory.ucr.edu/wp-content/uploads/2015/05/Paprocki-talk.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150602T170000
DTEND;TZID=America/Los_Angeles:20150602T183000
DTSTAMP:20260430T112337
CREATED:20150513T192546Z
LAST-MODIFIED:20150518T223928Z
UID:1760-1433264400-1433269800@arthistory.ucr.edu
SUMMARY:Megan Heuer\, Director Of Public Programs  And Public Engagement at Whitney Museum Of American Art
DESCRIPTION:Megan develops and oversees all adult public programs\, including artists’ talks\, lectures\, panel discussions\, workshops\, and courses. Prior to joining the Whitney in 2014\, she was a Jane and Morgan Whitney Fellow in the Modern and Contemporary Art Department at The Metropolitan Museum of Art\, and she previously worked in the curatorial and education departments at the New Museum. She is completing a PhD in art and archaeology at Princeton University.
URL:https://arthistory.ucr.edu/event/megan-heuer-director-of-public-programs-and-public-engagement-at-whitney-museum-of-american-art/
LOCATION:Arts 335
CATEGORIES:Guest Lecturer
ATTACH;FMTTYPE=image/jpeg:https://arthistory.ucr.edu/wp-content/uploads/2015/05/Megan-Heuers-talk.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150528T143000
DTEND;TZID=America/Los_Angeles:20150528T163000
DTSTAMP:20260430T112337
CREATED:20150518T231005Z
LAST-MODIFIED:20150518T231148Z
UID:1784-1432823400-1432830600@arthistory.ucr.edu
SUMMARY:The Art History Association\, 1st Annual Tea
DESCRIPTION:All current and former members are welcome! Please RSVP at arthistoryucr@gmail.com
URL:https://arthistory.ucr.edu/event/the-art-history-association-1st-annual-tea/
LOCATION:HUB 269
ATTACH;FMTTYPE=image/jpeg:https://arthistory.ucr.edu/wp-content/uploads/2015/05/TeaPartyAHS.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150516T090000
DTEND;TZID=America/Los_Angeles:20150516T170000
DTSTAMP:20260430T112337
CREATED:20150407T222345Z
LAST-MODIFIED:20150408T231835Z
UID:1385-1431766800-1431795600@arthistory.ucr.edu
SUMMARY:4th Annual Graduate Student Conference: On Whose Authority? (Re)Assessing the Malleable Canon of Visuality
DESCRIPTION:Dr. Rafael Cardoso\, Keynote\n2014 – 15 Getty Research Institute Scholar\nProfessor\, Universidade do Estadodo Rio de Janiero \nAlthough the term canon implies rigidity\, internal and external pressures have often forced canons to be reevaluated and reformed. A look at art and objects a global scale\, from past to present\, inevitably reveals the complexity as well as the exclusionary equality of canonicity. As such\, a canon can be shown to have a malleable nature\, one that yields or resists challenges to authority. Because the concept of a canon in relation to visuality permeates a wide variety of disciples\, this multidisciplinary conference seeks explore the relationship between canonicity and the arts\, in any of its forms\, within an expanding global context. Read more
URL:https://arthistory.ucr.edu/event/4th-annual-graduate-student-conference-on-whose-authority-reassessing-the-malleable-canon-of-visuality-2/
LOCATION:California Museum of Photography
CATEGORIES:Conference
ATTACH;FMTTYPE=image/jpeg:https://arthistory.ucr.edu/wp-content/uploads/2015/04/WhoseAuthority_Postcard_Front.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150505T080000
DTEND;TZID=America/Los_Angeles:20150505T170000
DTSTAMP:20260430T112337
CREATED:20150407T182819Z
LAST-MODIFIED:20150407T184040Z
UID:1376-1430812800-1430845200@arthistory.ucr.edu
SUMMARY:Linda Colley: A Changing Magna Carta: Past\, Present and Futures?
DESCRIPTION:2015 will witness celebrations of the 800th anniversary of Magna Carta. Yet how this iconic text has been understood\, used and commemorated has changed markedly over the centuries\, not just in England\, but throughout the British Isles and in the one-time British Empire. This lecture explores some of these shifts over time\, and discusses how – and how far – the cult that evolved around this text can be related to the UK’s lack of a written constitution.
URL:https://arthistory.ucr.edu/event/linda-colley-a-changing-magna-carta-past-present-and-futures/
LOCATION:Arts 335
CATEGORIES:Guest Lecturer
ATTACH;FMTTYPE=image/jpeg:https://arthistory.ucr.edu/wp-content/uploads/2015/04/Magna-Carta.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150502T080000
DTEND;TZID=America/Los_Angeles:20150808T170000
DTSTAMP:20260430T112337
CREATED:20150507T191215Z
LAST-MODIFIED:20150507T191740Z
UID:1744-1430553600-1439053200@arthistory.ucr.edu
SUMMARY:CMP Projects: Phil Chang
DESCRIPTION:Saturday\, May 16\nArtist talk-5pm\nReception-6-9pm \nCMP Projects presents a solo installation by artist Phil Chang. The project is suspended on the border of photography and non-photography\, demanding that the viewer consider the medium’s inherent qualities. The exhibition features a selection of photographs from Chang’s recently conceived untitled series of monochromes (2014-ongoing). These photographic prints are made without the use of a camera or film\, thereby pushing our understanding of the medium as it abandons the analog for a decidedly digital age. Additionally\, one unfixed photographic work is included in the exhibition. An evolution of his highly acclaimed body of work “Cache\, Active” (2012)\, Monochrome\, Exposed (2015) is a new unfixed photograph that will be exposed over the course of its own exhibition’s first hours during the artist talk on Saturday\, May 16. At 5pm\, the artist will remove the light-safe black plastic that preserves the unfixed paper in darkness. Over the next hours\, Monochrome\, Exposed will be created in real time. \nPhil Chang was born in 1974 in Indiana. He currently lives and works in Los Angeles where he is visiting faculty in the Department of Art at the University of California\, Los Angeles\, and a lecturer at Otis College of Art and Design. He earned his MFA at California Institute of the Arts\, and his BA at the University of California\, Irvine. CMP Projects: Phil Chang is the first solo museum presentation of his work. \nCMP Projects is an ongoing series of solo presentations curated by Joanna Szupinska-Myers\, CMP Curator of Exhibitions. The series is partially supported with funds provided by UCR’s College of Humanities\, Arts\, and Social Sciences (CHASS) and the City of Riverside. Additional support for CMP Projects: Phil Chang has been provided by M+B\, Los Angeles.
URL:https://arthistory.ucr.edu/event/cmp-projects-phil-chang/
LOCATION:California Museum of Photography
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://arthistory.ucr.edu/wp-content/uploads/2015/05/Monochromes-Static-and-Unfixed.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150501T100000
DTEND;TZID=America/Los_Angeles:20150501T170000
DTSTAMP:20260430T112337
CREATED:20150407T202459Z
LAST-MODIFIED:20150430T001035Z
UID:1384-1430474400-1430499600@arthistory.ucr.edu
SUMMARY:Inaugural Symposium: Allies\, Enemies\, and Citizens: Figuring Asianness in World War II America
DESCRIPTION:“Allies\, Enemies\, and Citizens” will focus on the visual representation of Asianness and Asian-Americanness in the United States during World War II\, featuring presentations by leading scholars in the field\, including Gordon H. Chang\, Professor\, Department of History\, and Olive H. Palmer Professor in Humanities\, Stanford University; Amy Lyford\, Professor of Art History\, Occidental College; ShiPu Wang\, Associate Professor of Art History and Visual Culture\, UC Merced; and K. Scott Wong\, James Phinney Baxter III Professor of History and Public Affairs\, Williams College. Read more \nSee the poster
URL:https://arthistory.ucr.edu/event/inaugural-symposium-allies-enemies-and-citizens-figuring-asianness-in-world-war-ii-america/
LOCATION:California Museum of Photography
CATEGORIES:Symposium
ATTACH;FMTTYPE=image/jpeg:https://arthistory.ucr.edu/wp-content/uploads/2015/04/THE-WONG-FORUM.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150407T171000
DTEND;TZID=America/Los_Angeles:20150407T171000
DTSTAMP:20260430T112337
CREATED:20150320T235516Z
LAST-MODIFIED:20150320T235627Z
UID:1369-1428426600-1428426600@arthistory.ucr.edu
SUMMARY:The Brink and Carrott Fellowship presentations
DESCRIPTION:
URL:https://arthistory.ucr.edu/event/the-brink-and-carrott-fellowship-presentations/
LOCATION:ARTS 333
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150303T161000
DTEND;TZID=America/Los_Angeles:20150303T170000
DTSTAMP:20260430T112337
CREATED:20150304T192951Z
LAST-MODIFIED:20150304T192951Z
UID:1279-1425399000-1425402000@arthistory.ucr.edu
SUMMARY:Visiting Artist\, Lecture Series: William Leavitt
DESCRIPTION:
URL:https://arthistory.ucr.edu/event/visiting-artist-lecture-series-william-leavitt/
LOCATION:Arts 335
CATEGORIES:Visiting Artist
ATTACH;FMTTYPE=image/jpeg:https://arthistory.ucr.edu/wp-content/uploads/2015/03/leavitt_flyer_visitingartist.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150302T170000
DTEND;TZID=America/Los_Angeles:20150305T190000
DTSTAMP:20260430T112338
CREATED:20150228T010727Z
LAST-MODIFIED:20150228T011332Z
UID:1144-1425315600-1425582000@arthistory.ucr.edu
SUMMARY:TRANCE-Rebecca Rupel\, Tracy Tran and Colleen Wei
DESCRIPTION:
URL:https://arthistory.ucr.edu/event/trance/
LOCATION:Phyllis Gill Gallery
ATTACH;FMTTYPE=image/jpeg:https://arthistory.ucr.edu/wp-content/uploads/2015/02/LadiesIllustration.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150228T180000
DTEND;TZID=America/Los_Angeles:20150228T210000
DTSTAMP:20260430T112338
CREATED:20150225T165339Z
LAST-MODIFIED:20150225T172747Z
UID:920-1425146400-1425157200@arthistory.ucr.edu
SUMMARY:The Provoke Era: Japanese Photography from the Collection of SFMOMA
DESCRIPTION:Named for the magazine Provoke\, which sought to break the rules of traditional photography\, this exhibition presents the avant-garde tradition that emerged in Tokyo in the 1960s and continued in the 70s and 80s. The exhibition traces Japanese photographers’ responses to their country’s shifting social and political atmosphere. The influence of Provoke photography in Japan continues today. The Provoke Era features work by internationally recognized artists including Masahisa Fukase\, Eikoh Hosoe\, Daido Moriyama\, and Shomei Tomatsu. \nThe Provoke Era is organized by SFMOMA\, and is curated by Sandra S. Phillips\, SFMOMA senior curator of photography. The exhibition is made possible by The James Irvine Foundation\, Bank of America\, and The Japan Foundation.
URL:https://arthistory.ucr.edu/event/the-provoke-era/
LOCATION:California Museum of Photography
ATTACH;FMTTYPE=image/jpeg:https://arthistory.ucr.edu/wp-content/uploads/2015/02/provoke_era.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150224T161000
DTEND;TZID=America/Los_Angeles:20150224T161000
DTSTAMP:20260430T112338
CREATED:20150223T231004Z
LAST-MODIFIED:20150223T231010Z
UID:852-1424794200-1424794200@arthistory.ucr.edu
SUMMARY:Wong Ju-Visiting Artist Lecture Series
DESCRIPTION:
URL:https://arthistory.ucr.edu/event/wong-ju-visiting-artist-lecture-series/
LOCATION:Arts 335
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