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DTSTART;TZID=America/Los_Angeles:20180308T171500
DTEND;TZID=America/Los_Angeles:20180308T183000
DTSTAMP:20260430T015002
CREATED:20180305T153252Z
LAST-MODIFIED:20180305T153335Z
UID:3324-1520529300-1520533800@arthistory.ucr.edu
SUMMARY:Nina Macaraig Lecture - Mortar\, Brick and Pipes: Visiting the Construction Site of Mimar Sinan's Iskender Pasha Hamam in Sixteenth-Century Istanbul
DESCRIPTION:Mortar\, Brick and Pipes: Visiting the Construction Site of Mimar Sinan’s Iskender Pasha Hamam in Sixteenth-Century Istanbul. \nNina Macaraig\, Ph.D. Visiting Assistant Professor\, UC Riverside \nNina (Ergin) Macaraig specializes in Ottoman architectural history\, in particular the “lesser” monuments within its canon\, such as bath-houses and soup kitchens\, as well as sensory aspects of the built environment\, about which she has published extensively. From 2008 to 2017\, she taught in the Department of Archaeology and History of Art at Koç University\, Istanbul. Her book Cemberlitas Hamami in Istanbul: The Biographical Memoir of a Turkish Bath is forthcoming from Edinburgh University Press. \nThursday\, March 8\, 2018 at 5:15pm ARTS Seminar Room 333 Sponsored by the Department of the History of Art \nDownload the PDF flyer
URL:https://arthistory.ucr.edu/event/nina-macaraig-lecture-mortar-brick-and-pipes-visiting-the-construction-site-of-mimar-sinans-iskender-pasha-hamam-in-sixteenth-century-istanbul/
LOCATION:ARTS 333
CATEGORIES:Guest Lecturer
ATTACH;FMTTYPE=image/jpeg:https://arthistory.ucr.edu/wp-content/uploads/2018/03/MacaraigFlyer18.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180305T171500
DTEND;TZID=America/Los_Angeles:20180305T183000
DTSTAMP:20260430T015002
CREATED:20180301T222857Z
LAST-MODIFIED:20180305T153411Z
UID:3318-1520270100-1520274600@arthistory.ucr.edu
SUMMARY:Fatima Quraishi Lecture - Encounters in Sindh: Circuits of Mobility and Artistic Transmission at the Makli Necropolis
DESCRIPTION:Encounters in Sindh: Circuits of Mobility and Artistic Transmission at the Makli Necropolis\nFatima Quraishi\, Ph.D. Candidate\, Institute of Fine Arts\, New York University \nFatima Quraishi is completing her dissertation at the Institute of Fine Arts at New York University. Her dissertation\, “Necropolis as Palimpsest: The Cemetary of Makli in Sindh\, Pakistan”\, traces the development of a modest Sufi shrine that grew to become a monumental funerary site. Her other interests include illustrated manuscripts produced in Kashmir in the late eighteenth and early nineteenth centuries. \nDownload PDF flyer.
URL:https://arthistory.ucr.edu/event/fatima-quraishi-lecture-encounters-in-sindh-circuits-of-mobility-and-artistic-transmission-at-the-makli-necropolis/
LOCATION:ARTS 333
CATEGORIES:Guest Lecturer
ATTACH;FMTTYPE=image/jpeg:https://arthistory.ucr.edu/wp-content/uploads/2018/03/Qurashi-Flyer.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20160329T171500
DTEND;TZID=America/Los_Angeles:20160329T171500
DTSTAMP:20260430T015002
CREATED:20160210T182636Z
LAST-MODIFIED:20160210T184407Z
UID:2334-1459271700-1459271700@arthistory.ucr.edu
SUMMARY:Dr. Steffen Siegel\, Folkswang Universität der Künste
DESCRIPTION:Cat in the Window? A Closer Look at How People Try to Have a Closer Look.\nDr. Steffen Siegel\, Folkswang Universität der Künste (Essen\, Germany)\n\nAccording to Edgar Allan Poe\, photography is best described as “infinite representation”. Especially during the medium’s first years comments often stressed photography’s unique capacity of capturing much more detail than possible in any painting\, print or drawing. Magnifying glasses were common tools when it came to beholding — and praising — this novel kind of imagery. Today\, we should know better. Every photograph is a sum of material\, iconographic and social conditions–and of what we have learned about beholding photography. But still\, there is an ongoing fascination with ideas like infinity\, visual truth and perfection. In recent years\, prominent photographs taken from the medium’s formative years–by Daguerre\, Talbot\, Bayard and other pioneers– have been put into reconsideration. Is it possible to see more than before? Especially with much more than an ordinary magnifying glass in our hands\, is it possible to coax out more visual details\, i.e. more information about times past? In my presentation I will introduce and reflect on the methods and results of such attempts. And I intend to pose a seemingly simple question: Is it possible to distinguish between beholding and imagination?” \n 
URL:https://arthistory.ucr.edu/event/dr-steffen-siegel-folkswang-universitat-der-kunste/
LOCATION:California Museum of Photography\, 3824 Main Street\, Riverside\, CA\, 92501\, United States
CATEGORIES:Guest Lecturer
ATTACH;FMTTYPE=image/jpeg:https://arthistory.ucr.edu/wp-content/uploads/2016/02/SiegelTalk-03.29.15-e1455129775317.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150603T170000
DTEND;TZID=America/Los_Angeles:20150603T170000
DTSTAMP:20260430T015002
CREATED:20150518T223709Z
LAST-MODIFIED:20150518T224425Z
UID:1780-1433350800-1433350800@arthistory.ucr.edu
SUMMARY:Leslie Paprocki\, Museum Careers In The 21st Century: Insight From The Inside
DESCRIPTION:Born and raised in Buffalo\, New York and transplanted to Southern California at age 8\, she has been captivated by the power of museums from a young age. Trips to art museums\, historical houses and centers\, parks\, and other cultural attractions pepper the landscape of her childhood memories and in turn dictated her educational path. In pursuit of her passion  for the history of art\, she completed a Bachelor’s degree\, Magna Cum Laude\, in Art History and Administrative Studies and a Master’s degree in the History of Art\, both from the University of California\, Riverside.
URL:https://arthistory.ucr.edu/event/leslie-paprockimuseum-careers-in-the-21st-century-insight-from-the-inside/
LOCATION:ARTS 333
CATEGORIES:Guest Lecturer
ATTACH;FMTTYPE=image/jpeg:https://arthistory.ucr.edu/wp-content/uploads/2015/05/Paprocki-talk.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150602T170000
DTEND;TZID=America/Los_Angeles:20150602T183000
DTSTAMP:20260430T015002
CREATED:20150513T192546Z
LAST-MODIFIED:20150518T223928Z
UID:1760-1433264400-1433269800@arthistory.ucr.edu
SUMMARY:Megan Heuer\, Director Of Public Programs  And Public Engagement at Whitney Museum Of American Art
DESCRIPTION:Megan develops and oversees all adult public programs\, including artists’ talks\, lectures\, panel discussions\, workshops\, and courses. Prior to joining the Whitney in 2014\, she was a Jane and Morgan Whitney Fellow in the Modern and Contemporary Art Department at The Metropolitan Museum of Art\, and she previously worked in the curatorial and education departments at the New Museum. She is completing a PhD in art and archaeology at Princeton University.
URL:https://arthistory.ucr.edu/event/megan-heuer-director-of-public-programs-and-public-engagement-at-whitney-museum-of-american-art/
LOCATION:Arts 335
CATEGORIES:Guest Lecturer
ATTACH;FMTTYPE=image/jpeg:https://arthistory.ucr.edu/wp-content/uploads/2015/05/Megan-Heuers-talk.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150505T080000
DTEND;TZID=America/Los_Angeles:20150505T170000
DTSTAMP:20260430T015002
CREATED:20150407T182819Z
LAST-MODIFIED:20150407T184040Z
UID:1376-1430812800-1430845200@arthistory.ucr.edu
SUMMARY:Linda Colley: A Changing Magna Carta: Past\, Present and Futures?
DESCRIPTION:2015 will witness celebrations of the 800th anniversary of Magna Carta. Yet how this iconic text has been understood\, used and commemorated has changed markedly over the centuries\, not just in England\, but throughout the British Isles and in the one-time British Empire. This lecture explores some of these shifts over time\, and discusses how – and how far – the cult that evolved around this text can be related to the UK’s lack of a written constitution.
URL:https://arthistory.ucr.edu/event/linda-colley-a-changing-magna-carta-past-present-and-futures/
LOCATION:Arts 335
CATEGORIES:Guest Lecturer
ATTACH;FMTTYPE=image/jpeg:https://arthistory.ucr.edu/wp-content/uploads/2015/04/Magna-Carta.jpg
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